Guy Penn & the Gospel According to Madge

“No matter who you are, no matter what you did, no matter where you’ve come from, you can always change, become a better version of yourself.”    ~ Madonna

I was raised Catholic by Republican parents in the Midwest, graduated high school when Ronald Reagan left office.

Despite my upbringing, I became everything hardcore conservatives hate – An agnostic, progressive liberal living in California, a hippie who frowns upon guns, loves Madonna songs, and has a same-sex partner affectionately refereed to as “Chango”.

Guy Penn is an American perspective – my red, white, and blue seen through a pink tinted lens, and put to a beat…

Politically speaking, I am a member of the “Madonna Party”, which is far left of the Democratic Party (which was formerly known as the Republican Party).

While I enjoy Madonna’s music, I love her politics.  Her progressive ideals, how Americans perceive and react to her are omnipresent in my posts.

Given our similar backgrounds, for me, Madonna has come to embody progressive American pop culture, religion, and politics over the past 30 years. No one has been more resilient to the cultural thugs, been more eloquent and artistically poignant at telling opponents of progress – F@!% off!

It is a statistical fact (not really, but engage me)…. People who respect Madonna’s politics have superior IQ’s.  It takes brains and restraint to see past the glitter and cleavage, to understand Madonna isn’t selling music and sex.  She’s singing about a world less judgmental and reactionary, more optimistic, inclusive, and kind.

The irony about Madonna, what makes her so provocative and appropriate for this project, is that Madonna is a bully in search of peace.  She has zero tolerance for bullshit, calls out hypocrisy where she sees it, and is undeterred by social norms and popular opinion.

Madonna is a bully who specifically invites and confronts bullies. The mission of Guy Penn is to peacefully and respectfully do the same.

Damon Wallace (aka. Guy Penn)

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Madge & I ~ 1985

Madge & Me ~ 1985

Progressive politics and the politics of Madonna are the subject of “Guy Penn & the Gospel According to Madge” written by Damon Wallace. 

For blog updates, follow along through Facebook or Twitter.

Revelations Of An Idolater

Whore_of_Babylon

“And the woman was arrayed in purple and scarlet colur, and decked with gold and precious stones and pearls… And upon her forehead was a name written a mystery: Babylon The Great, the mother of harlots and abominations of the Earth.”

A PRELUDE

Despite her awards and credentials, I usually don’t think of Madonna as a musician. As a fan and admirer, I’m more inclined to compare her to a work of art, a controversial “Mona Lisa” brought to life in a bustier.

Like a provocative work of art, Madonna sometimes gives me pause, triggers me to ask questions I wouldn’t normally consider. Such was the case when Madonna opened her 2004 “Reinvention Tour”, when she appeared on screen as the Whore of Babylon and recited verses from “Revelations”.

This essay is not an opinion piece about an artist. It’s not a defense of Madonna’s merits or her talent. This is my take on a portrait. It’s a commentary about fame, an answer to a question Madonna invited me to entertain from behind a velvet rope.

At the Forum in the City of Angels, screaming for Madonna from the seventh row, the irony wasn’t lost on me.  If Madonna was the Whore of Babylon, then I was an abomination drunk on idolatry. More concerning still, such a development meant “the endwas near.

Should this be the case, I wondered – Who amongst us is the beast?

“And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.”

THE WHORE

The Whore of Babylon’s identity is kept a mystery in Bible’s “Book of Revelations”, who or what she is remains unclear. Some have speculated that “she” is not a woman but the Vatican or the city of Jerusalem, while others believe the Whore is emblematic of greed, lust, and power.

Whatever the case, this much is largely agreed upon – the Whore of Babylon plays a pivotal role in the climactic final act of the New Testament. Through her, “the beast” is unleashed.

instagram_hb1newsAlthough I am spiritual, I am no longer religious.  So while I don’t believe Madonna is really the Whore of Babylon, where this portrait is concerned, I concede: She is one hell of a contender.

I suspect Madonna would be flattered by my comment. She clearly enjoys flirting with the role, has invited us all into her bed over the years. Outside of appearance and allure, however, my assessment is more all encompassing…

With Madonna, I argue, arrived a new kind of celebrity – the modern idol, the reality star. While there are many contributing factors, what made Madonna uniquely famous wasn’t her vocals, her acting, or sex appeal. However talented and attractive, in the end, Madonna’s celebrity was exceptional because Madonna – like the Mona Lisa – was the subject at hand.

30 years later, whether you abhor or idolize her, it’s safe to say – Madonna conquered Babylon. For better or worse, popular culture wouldn’t be the same had we lived in a world without Madonna.

Whether rebelling against the church or championing sexual empowerment, few businesses in modern times have been more industrious and revolutionary than Boy Toy Inc.. To deny Madonna’s influence would be to discount her unparallelled feats, would mean ignoring the Madonna prototype, the wannabees still churning off the conveyer belt 30-years deep.

Like it or not, Babylonians, where false idols are concerned – We are all still living in the “Age of Madonna”.

A Good Christian“And the angel said unto me, ‘Wherefore didst thou marvel?’ I will tell thee the mystery of the woman, and of the beast that carrieth her, which hath the seven heads and ten horns.”

THE IDOLATER

I am a monogamous idolater. Madonna can be pretty demanding and high-maintenance, so the thought of squeezing in a little Gaga on the side, for one, is too exhausting to even consider.

Because of my exclusivity, I admit to getting a little defensive when it comes to Madge. Over the years, I’ve grown increasingly attuned to the reaction she provokes. As vocal as her fans can be, detractors aren’t shy about despising Madonna out loud. To summarize the negative comments over the years, I’d conclude: Madonna is an untalented, manipulative, greedy opportunist with no moral compass or values, a predatory capitalist feeding on art…

13-04-25-madonna-secret-projectPut more bluntly, Madonna is a whore.

Such responses have always struck me as ironic and misplaced for a woman singing about peace, love, and inclusion, so last August I began writing about the politics of Madonna.

To feature the essays, I chose the website address and pseudonym, Guy Penn, because I felt the name symbolically captured the other men “wed” to Madonna, her legion of gay fans.

As a gay man / recovering Catholic lured by Madonna’s blasphemous ways, the exploratory project was intended to be my long-form look back, my soul-searching answer to the question…

Why do I really like Madonna?

Upon completing my first essay a year ago, I already understood whyWith more time and introspection, however, amidst the 2012 Presidential Election, I began to realize what this project is ultimately about…

A DISCLAIMER

Although I am an idolater, I wrestle with my admiration for Madonna. Not because I question her talent, grow tired of her music, or find her provocative actions annoying at times; what concerns me most about Madonna is the certain sacrifice any of us make when worshiping at the altar of celebrity.

taurusOver the past year, whenever I completed an essay about Madonna, I felt the need to distance myself. Not because I felt silly or ashamed, but because I feared being swallowed by the illusion of Madonna’s celebrity, which is to say: I had to remind myself that I was writing about Madonna to learn more about me.

On the subject of idolatry, Madonna is quoted as saying, “If you want to pay tribute to me, do something important with your life.” The quote, of course, is echoed by her gospel, Madonna’s urgent call to action to love, dance, and live without inhibitions.

Age and experience (along with Madonna’s insistence) have taught me: it’s okay to dream, but dream out loud. Over the past year, specifically, I’ve realized that being a responsible idolator means Madonna and I must coexist. Although I respect her brand of heresy, the reason I write these essays is not because I adore Madonna. Instead, I’ve come to realize, I write in defense of the reaction she provokes.

revolutionLike Madonna, I too am seeking a revolution. In the context of this article, specifically, I’ve surmised the aftermath of Madonna’s celebrity.  After scanning the crowd all these years, I’m writing today because, at last, my fellow Babylonians…

My eyes are locked upon the beast with seven heads and ten horns.

madonna_whore“And he said unto me, The waters which thou sawest, where the whore sat, are peoples, and multitudes, and nations, and tongues.”

THE BEAST

Should I wake up tomorrow and discover it’s judgement day and that Madonna is, indeed, the Whore of Babylon, I wouldn’t hide my idolatry from the almighty. Like pretending to be straight, that would just make me a coward and a liar to boot.

I would, however, step forward and raise my hand in defense of the mother of harlots and abominations. Because only before the wrath of God, under such dire, sobering, apocalyptic conditions, would I have the conviction to note…

Should she be the Whore of Babylon, then Madonna did so while calling upon Babylonians to love one another, unconditionally, without prejudice in our minds and contempt in our hearts.

secretproject3Don’t misunderstand me, Madonna is clearly no Jesus Christ; she operates by a very different code. While I suspect Madonna’s wounds run deep, unlike the son of God, she did not die for our sins…

I am arguing, though, Madonna lives for our sins.

If Madonna is the Whore of Babylon then her story is more reminiscent of our motherless Eve in Genesis, Act I. Stitched into a scarlet wedding gown, ordained in diamonds and pearls, Madonna has come to personify the modern “Bride of Sin” at curtain call. Drunk in a garden of serpents, writhing amongst harlots, thugs, and sodomites, Madonna is the manifestation of Babylon’s demons and fears, a woman feeding on all that is forbidden.

So, why should I idolize such a blasphemous woman? Because like Eve and Mary Magdalene after her, I contend: Madonna is misunderstood. She isn’t a sinner to be judged, so much as she is the lesson to be learned.

Contrary to popular opinion, I don’t believe Madonna is provocative because she seeks fame and wealth. As an astute pupil of Madge’s, I argue, fame and fortune are byproducts of Madonna’s ultimate ambition…

Madonna hopes to rule the world, because Madonna wants to save the world. She weathers the ridicule and mockery, hoping to draw our attention to the beast on which she rides, that snarky, venomous monster lurking within the heart of every Babylonian – Hate.

THE REVELATION

I rest palms at the Whore of Babylon’s feet, because few prophets, in my lifetime, have endured such ire and criticism in the name of love.

The Gospel According to Madge resonates with me because Madonna, like Jesus two thousand years before her, braves the sneers and taunting, the righteous indignation of the mob, on behalf of sinners like me.

I gravitate to this portrait, because I am a sinner in the garden of serpents.  Madonna is but the gospel in my heart.

madonna-and-steven-klein-secrect-project-video-inside2I feel that people are becoming more and more afraid of people who are different. People are becoming more and more intolerant.

On the eve #secretproject, I’d like to leave Babylon with a cautionary note…

If the battle before us is fought arming men against women, blacks against whites, straights against gays, Christians against Muslims, Lady Gaga fans against Madonna fans, Democrats against Republicans, etc…  We will all eventually lose.

Before our looming day of judgement, we owe the almighty this moment of candor. The battle before us – always has been, and forever will be – a battle fought between love and hate.

Should we all cease to exist in a post-apocalyptic world, it will be because we ignored the Gospel According to Madge, we were deaf to her plea to be more Christlike, which is to say: more celebratory, forgiving, inclusive, and kind; less judgmental, spiteful, and cruel.

By definition “apocalypse” means: “a prophetic revelation, concerning a cataclysm in which the forces of good permanently triumph over the forces of evil…”

No more hesitating. It’s time. Pick a side.

Once you do, the revolution begins.

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IN MADONNA, I PRAY

#artforfreedom #secretprojectrevolution

Progressive politics and the politics of Madonna are the subject of “Guy Penn & the Gospel According to Madge” by Damon Wallace. 

For blog updates, follow along through Facebook or Twitter.

Madonna & The Plague

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“The light that you would never see.
It shines inside, you can’t take that from me.”
~ Madonna

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Prelude to a Dance.

As long as there’s been AIDS, there’s been Madonna.

madonna_aidsWhile the virus that causes AIDS predates Madonna’s fame, during the initial years of the outbreak the illness was referred to as G.R.I.D (Gay Related Immune Deficiency).  It wasn’t until August 1982 that the disease officially became known as AIDS, after the CDC offered “Acquired Immune Deficiency Syndrome” as a less discriminating alternative.

The summer of 1982 was also when a catchy new track began surfacing in New York City clubs. The pulsating groove was infectious, even Sire Records fell victim to the infused beats.  Later that October the record label signed a deal with the bohemian artist singing on the track, Madonna.

And so it came to be… Like many gay men of my generation, my story came to be about a boy and two titans, each equally hellbent on world domination: Madonna and the Plague.

ACT I: “The Kid, the Stalker, and a Magic Poem”

I recall the day I first learned about AIDS.  My dad was reading the Chicago Tribune and tossed the completed front section on the floor.  On the back was a full page article about AIDS symptoms.  Among the many ailments listed: fevers, night sweats, wasting, soars in the mouth, and skin lesions.  And if the symptoms weren’t horrific enough, the article stressed that the disease had been especially devastating to the gay community.

It’s difficult to explain how I felt at that moment, but at best I’d describe it as seismic déjà vu. For a moment, time rippled like a tolling bell. I wasn’t reading an article in the newspaper, something menacing from my future was whispering “hello” in my ear.

screen-capture-37As an only child of working parents, I had a lot of time to obsess about my fears and confusion. Poetry, specifically, helped me write what was unbearable to speak.  With AIDS lurking about, by 1985 my poems centered around survival, my hopes of evading “the stalker”.

It may seem irrational to be worried about AIDS at fourteen, but I was just coming to terms with my sexuality and had reservations about both lifestyles ahead. For me, the decision wasn’t whether to be straight or gay.  I knew what I was.  Instead, I saw two very different alternatives:

  • 13-03-13-madonna-secret-projectIn one life, I’d be a prisoner, locked away in a secret cell, peeping at my life regretfully through a keyhole.
  • In the other, I’d be a fugitive. Although I’d be stalked and likely captured, I’d be free to love who I choose.

Not getting AIDS was never a question.  Should I live life as a gay man, I was certain the disease would be my cross to bear.  Although I didn’t see it this way at the time, my decision ultimately came down a very American question – Was I willing to die young for freedom?

I am a white male living in the United States of America who was raised Catholic.  Trust me when I say, being gay wasn’t the path I wanted to travel.  Yet despite AIDS, my upbringing, and the likely discrimination I’d encounter, being queer felt more honorable and brave. I had just enough foresight to realize that the alternative – lying, faking love and marriage – would be selfish and destructive for all involved.

I said goodbye to a never-to-be wife, confident it was best for her and the kids.  Then I closed my eyes and covered my ears, prayed my heart wouldn’t guide me off a cliff.

Stumbling blindly into adulthood, I did my best to avoid AIDS, but it proved to be a futile task. By my late-twenties, AIDS was everywhere, and I was surrounded…

What happened in the mid 90′s is a separate post altogether, but suffice it to say – My pleasures depended on the permission of no one. Call it pent up frustration, but my twenties were reckless and carefree, a stark contrast to the introverted poet I was a teenager.

Unfortunately, because I was carefree in my twenties, I misplaced most of my poems from 1985.  Despite the loss of my journals, there was one poem – a simple rhyme that grew louder with each passing year – that haunted me throughout my adulthood.

In the end, that poem is the reason why I created the website, Guy Penn, and why I’m writing this specific post today…

ACT II: “A Fairy God-Diva named Madge”

For 2 years, I’d done the impossible, I’d managed to ignore Madonna.

Up until 1985, what I knew about Madonna I didn’t like. I was annoyed with the song “Borderline”, because I thought the title was “Waterline”, and anyone comparing love to water pressure was just weird and not to be trusted. I also remember three girls singing “Holiday” during recess.  When I asked them what they were singing, they started squealing about seeing Madonna at “The Virgin Tour”,which was, by all accounts – totally gross.

But then came one fateful night… I was recording Friday Night Videos with my Betamax VCR, eager to capture my favorite song at the time, “We Are the World”.  The video that followed was “Material Girl”, featuring the one woman missing from the star-studded lineup, the one woman who would outshine them all – Madonna, wrapped in a big red bow.

screen-capture-38In the age of AIDS, Madonna became my bedazzled life coach. After so much dark introspection and fear, she had a way of drawing me back to the light.

Where AIDS was scary and grim, Madonna was sparkly, high-octane optimism, a musical cornucopia overflowing with Lucky Stars, Holidays, and Shoo-be-doo’s, reminding me life was to be lived, not feared.

Sprinkling disco beats from her celestial powered mirrored ball, Madonna managed to do the impossible in the mid-80′s – She helped me envision a world more celebratory, inclusive, and kind, where even a queer punk like me could be loved and accepted.

Although I became a Madonna fan because of her music, I remained one because of her support.

  • Madonna fought for gay rights when I didn’t have the esteem or the courage.  She challenged social norms and hypocrisy when others wouldn’t, back when her voice was needed most – When men were dieing, the silence was deafening, and you could hear a pin drop on the disco floor.
  • Madonna songs typically gravitate around love, acceptance, pride, and enlightenment. It so happens, I’m a big fan of each.  As an added bonus, I also enjoy dancing and sex (although I’ve learned to avoid both at once).
  • Above all, I must confess – Madonna bridges me to my youth.  Now in my 40′s, where Madge is concerned, I’m still young, a giddy uniformed schoolboy, flipping eagerly through the pages of Tigerbeat at a local newsstand.

With a catalog of music spanning 30 years, fans sometimes retrofit their lives to Madonna’s songs, and I am no exception.  The Gospel According to Madge has always had an uncanny way of capturing pivotal acts of my life.  So much so, at times I’ve enjoyed entertaining the question – Am I Madonna’s muse?

After one year of Madonna fandom, such a moment occurred. I received a special gift from Madge, a ballad that poignantly echoed the sentiments of my poem, “Time To Play”.

Sappy, sentimental bloke that I am – writing this post now, looking back at the AIDS pandemic – I like to imagine the ballad contains the middle verses of my misplaced poem, “Time to Play”.

ACT III: “Time Traveling with Madge”

This past April I turned 42.  Sitting here now, overlapping my poem with Madonna’s song, I realize – Albeit a couple years late, this post is a promise being fulfilled.

Despite my expectations and adversities, I am a man who lived to tell.  As such, I’m feeling obligated to share a secret that I have learned…

AIDS is not the stalker I once feared.  AIDS is my liberator. It didn’t force gay men out of the closet, it demolished the walls that Adam built, left us naked and vulnerable to the masses.

Nearly 30 million people worldwide have died since the AIDS crisis began, so I don’t mean to typecast the disease or undermine the magnitude of its horror and devastation. But when I frame the pandemic as bookends, I am suddenly humbled by how much the United States, among a growing list of countries, has changed.

28 years ago, I didn’t think people cared if I lived or died, because many believed gays were deviants, sinners worthy of the plague.  Today, however, the majority of Americans support the right for me to marry my partner, believe our love is worthy of protection.

AIDS is not an exclusively homosexual disease. It has broken hearts both straight and gay. But in America we are haunted by its origins. Not acknowledging AIDS for the tectonic shift in popular opinion would be an injustice to all the gay men who fought and died, so that I could live to tell; it would be disrespectful to those who lost lovers, friends or family members to the pandemic, who demanded social change and medical research. Not acknowledging AIDS contributions to our national character would discount the breadth of our collective humanity, our nation’s enduring battle to be a more perfect union.

AIDS is a different kind of love story, one that shines from within. In the end, Madonna and the plague are a matter of perspective. Our reaction to each says more about us than them. In the past 30 years, for better or worse, both AIDS and Madonna refused to be ignored.  Each invited our judgement and indignation, provoked us to reconsider the limitations of freedom and love.

The history of AIDS will prove to be a tragedy written in tears, but its final act is yet to be told.  With the help of outspoken artists like Madonna, however, the moral of this plague is becoming increasingly clear – I entered this fight wounded and alone, but I will leave it healed with a nation uniting behind me.

Whether you pray to a book, wrap yourself in a flag, or are enchanted by a pop star, what matters most are the lessons we learn, how we interpret words written and sung.

The Gospel According to Madge is certainly open to interpretation. And I don’t presume to speak for all gay men of my generation, the first generation of teenage boys to sexually awaken to a world with AIDS in it.  But I hope a few of my Madonna-luvin’ brethren from the 80′s are comforted by the audacity of this closing sentiment…

Where my soul was concerned, Madonna was the cure for AIDS.

Note to Progressives: “Be More Like Madonna”

Be Like Madonna

If freedom and capitalism got drunk and had passionate sex, their love child would be Madonna.  And whether you admire or despise their spirited baby girl, let’s agree – Madonna is independence gone wild, liberty run amuck in a corset.

I have a suggestion for progressive liberals that they likely don’t want to hear.  When dealing with our opposition, it’s time to be less politically correct and more like Madonna.

You don’t have to wear a cone shaped bra or gyrate your hips.  I am not asking you to hump the dance floor or grab your crotch on national TV.  I’m simply saying, however you choose to do it, if you’ve got the guts and the urge – speak out, speak often, and speak loudly.  Your voice is needed now more than ever.

Our opposition needs to be challenged and provoked, so lets give Republicans in power something to actually be outraged about. The days of placating conservative hypocrisy and appeasing their tantrums aren’t acceptable anymore.  The facts are in. The planet is on fire, the middle class has been evacuated, and the luxury yachts bobbing offshore have a maximum capacity of 1%.

Welcome to the apocalypse, the dramatic conclusion of trickle down economics and manufactured morality.  Given the dire circumstances, dancing may seem ill-fitted or inappropriate, but it’s time to fight crazy with crazy, so here’s my advice to my progressive sisters and brothers (and I’m looking at you, Harry Reid)…

Figuratively squeeze into a pair of pink leotards with a plunging neckline, grab your crotch with one hand, extend a middle finger with the other, and tell Republicans in Congress, “Filibuster this.”

However you choose, it’s time to be heard… Speak.

A recent paper found that both conservative and liberal politicians undervalue how liberal their constituents are.  Conservative politicians, specifically, underestimated local support for universal health care and same-sex marriage by as much as 20 percent.

While this disconnect is the result of multiple factors (special interests infiltrating government, the Orwellian mind grip of the conservative entertainment “news” industry, politicians beholden to the donor class, etc…), I place equal blame on progressives, the enablers of our existing political paradox.

Somewhere along the way, we progressives stopped “burning our bras”.  We became less outspoken, substituted our passion for good manners and prudence.  We allowed our opponents to define us and make “liberalism” a dirty word.  We forgot an important lesson, one that history proves we’re destined to learn again and again…

The conservative moral majority is a myth.  Despite what we’ve been conditioned to think for the past 30 years, the United States is ultimately a progressive nation.  If we weren’t progressive: slavery would be legal, women would be unable to vote, being gay would still be outlawed throughout the land, and Barack Obama wouldn’t have been elected President… twice.

By definition progressive means, “making progress toward better conditions. Favoring or advocating change, improvement, or reform, as opposed to wishing to maintain things as they are…”

Being progressive doesn’t mean you’re a Democrat or a Republican.  As Abraham Lincoln validated, our inherent truths and inalienable rights are the constant.  It’s the parties that ebb and flow with the times.  And by most measures, America circa 2013 remains a progressive nation, and the pendulum for progress has swung full-swoosh back to the Democratic Party.

Polls consistently show that Americans largely approve of liberal policies. On fiscal and social matters alike, majorities support:

  • Marriage equality
  • Tax increases to offset the national debt
  • Gun control regulation
  • A woman’s right to choose
  • Campaign finance reform
  • Immigration Reform
  • A Public Option to compete with Health Insurance providers
  • Heck, even legalizing marijuana recently tipped in the Progressives favor

Yet here we are, a nation of hippies (apparently) beholden to an intransigent Republican party that defiantly refuses to compromise with the progressive majority.

With the looming sequester cuts, conservatives would sooner self-inflict another recession than close a single corporate tax loophole or raise another dime in taxes for the rich. Despite their contributions to the debt (unpaid wars, tax cuts for the wealthiest, and a financial crisis caused largely by deregulation) the GOP insists that the poorest and sickest among us must foot the bill for the Republican fraternity’s binge spending and recklessness.

The only thing more offensive than Republican obstructionism is progressive America tolerating Republican obstructionism.  The recent study only highlights the greatest failure of the modern progressive, what was once our greatest strength – Our ability to be noticed and be heard, to matter… which brings me back to Madonna.

Madonna is the baby boomer that never stopped burning her bra, the hippie still singing about love and peace…. star of the 30-year musical, “The Progressive Activist”.

  • Madonna challenged George W. Bush on Iraq, when many liberals cowered from the fight and found it unpalatable to speak out against the war.
  • Madonna spoke out for gay rights and AIDS research, before it was chic… before even President Reagan had the courage to publicly acknowledge the epidemic.
  • And yes, perhaps most trying of all, Madonna has challenged her sex. Madonna is by most measures “a liberated woman”, living proof that it’s okay to be powerful and girly. And in being unabashedly unashamed of being a woman, Madonna has emasculated her conservative detractors, one crotch grab at a time…

Liking Madonna is not a prerequisite for progressive liberals, but make no mistake – Madonna is emblematic of the progressives’ paradox.

Liberals yearn to be a nation more inclusive and kind, yet we discount progressives like Madonna and their feats, because let’s face it – Madonna doesn’t fit the conservative mold.

If progressives surrender to Republican hostage taking and conservatives ideals, it won’t be Barack Obama or Madonna’s fault.  “Failure” will be progressives’ to own.  Our generation will be known as “the generation that stopped fighting for the dream”, or perhaps most chilling of all, “the generation that succumbed to dreams and never woke up”.

Be more like Madonna.  Fight crazy with crazy.  Squeeze into a pair pink leotards with a plunging neckline, grab your crotch with one hand, and extend a middle finger with the other.

However you choose, join me in telling Republicans in congress, “Sequester this.”

It’s time to be heard… Speak.

gp(page_divider2)Progressive politics and the politics of Madonna are the subject of “Guy Penn & the Gospel According to Madge” written by Damon Wallace. 

For updates, follow along through facebook or Twitter.

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